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Missa brevis Sancti 02 Gloria Joseph Haydn
pental
0:37 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 20 0 4 4 100%
Violino
II		 Treble 21 0 3 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 20 0 4 4 100%
Violino
II		 Treble 21 0 3 4 100%
Organo Violoncello e
Basso		 Bass 15 0 3 3 94%
Alto Treble 11 0 2 5 90%
Basso Bass 12 0 2 7 90%
Soprano Treble 10 0 1 6 90%
Tenore Treble 7 0 0 6 90%
 
7. Vénitienne J.P. Rameau
pental
1:24 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 2 4 100%
Bass 20 0 2 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 2 4 100%
Bass 20 0 2 5 97%
 
Ballade 14 Je ne cuit pas Guillaume de Machaut
pental
1:30 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 11 0 3 4 100%
Viola 13 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 11 0 3 4 100%
Viola 13 0 4 4 100%
 
Missa "Au travail suis" Kyrie Johannes Ockeghem
pental
2:32 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
Tenor Bass 13 0 1 6 90%
Bassus Bass 13 0 1 5 69%
 
Que n' est elle aupres de moy Pierre Certon
pental
2:24 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 4 5 94%
Basso Bass 10 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 14 0 4 5 94%
Basso Bass 10 0 2 6 91%
Soprano Treble 10 0 2 6 89%
Tenore Treble 8 0 0 7 85%
 
III. Videntis Stellam F. Poulenc
pental
2:21 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 2 10 5 100%
Soprano Treble 17 2 11 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 2 10 5 100%
Soprano Treble 17 2 11 5 100%
Tenor Treble 16 2 9 5 100%
Bass Bass 14 2 10 5 60%
Bass 10 0 4 4 19%
 
Missa brevis Sancti 04 Sanctus
pental
1:11 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Viloncello
e
Basso		 Bass 17 0 5 6 97%
Basso Bass 15 0 5 6 97%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Viloncello
e
Basso		 Bass 17 0 5 6 97%
Basso Bass 15 0 5 6 97%
Tenore Treble 10 0 2 5 97%
Alto Treble 12 0 2 5 90%
Violino
II		 Treble 17 5 5 6 90%
Soprano Treble 10 0 2 5 87%
Violino
I		 Treble 19 3 4 6 87%
 
Ballade 38-Phyton le mervilleus serpent Guillaume de Machaut
pental
2:07 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 9 0 0 4 100%
Viola 12 0 2 5 100%
Contratenor 14 0 4 4 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 9 0 0 4 100%
Viola 12 0 2 5 100%
Contratenor 14 0 4 4 98%
 
Franz_Robert_-_12_Gesnge_Op.1_No.9_-_Jagdlied
pental
1:27 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 29 6 4 100%
Bass 26 16 9 5 100%
Singstimme Voice Treble 13 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 29 6 4 100%
Bass 26 16 9 5 100%
Singstimme Voice Treble 13 0 4 5 80%
 
Bruckner_Anton_-_Symphony_No._5_Movement_3a_Scherzo_only
pental
8:14 Est. Play
Time
382 Measures
6,048Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violinen
I		 Treble 39 0 18 5 94%
Violen 34 2 16 5 90%
View all 25 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violinen
I		 Treble 39 0 18 5 94%
Violen 34 2 16 5 90%
Violinen
II		 Treble 34 5 17 5 90%
Violoncellos Bass 33 1 15 5 83%
Kontrabässe Bass 28 0 12 4 76%
Oboe
1		 Treble 23 0 11 5 61%
Flöte
1		 Treble 20 0 10 5 59%
Klarinette
1
in
B		 Treble 27 0 11 5 56%
Oboe
2		 Treble 25 0 11 5 54%
Horn
1
in
F		 Treble 22 0 8 5 54%
Klarinette
2
in
B		 Treble 30 0 12 5 52%
Flöte
2		 Treble 19 0 7 5 51%
Trompete
1
in
F		 Treble 20 0 7 5 44%
Pauken Bass 3 0 0 3 43%
Horn
2
in
F		 Treble 20 0 7 5 42%
Horn
3
in
F		 Treble 26 0 9 5 41%
Trompete
2
in
F		 Treble 18 0 6 5 38%
Fagott
1		 Bass 31 0 13 5 37%
Fagott
2		 Bass 30 0 12 5 34%
Horn
4
in
F		 Treble 26 0 9 5 34%
Altposaune 16 0 7 5 32%
Tenorposaune 14 0 4 5 32%
Trompete
3
in
F		 Treble 19 0 9 5 32%
Bassposaune Bass 19 0 6 5 31%
Bass
Tuba		 Bass 15 0 4 4 17%
 
B. Bartok, For Children, Vol. 1, Nr.22, Allegretto, Sz42
pental
0:28 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 1 5 87%
Bass 16 9 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 1 5 87%
Bass 16 9 3 4 100%
 
Paradis_Maria_Theresia_von_-_12_Lieder_1786_No.1_-_An_das_Klavier_-_TEMPLATE
pental
0:45 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte 11 11 0 6 80%
Pianoforte Treble 0 0 0 0 0%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte 11 11 0 6 80%
Pianoforte Treble 0 0 0 0 0%
Bass 13 4 2 4 79%
Voice (Soprano
clef)		 20 0 1 6 89%
 
Ballade 14 Je ne cuit pas Guillaume de Machaut
pental
1:30 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Bass 11 0 3 4 100%
Viola 13 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Bass 11 0 3 4 100%
Viola 13 0 4 4 100%
 
Brahms_Johannes_-_5_Lieder_Op.47_No.1_-_Botschaft
pental
2:16 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 28 46 7 5 100%
Bass 33 30 10 5 100%
Singstimme Voice Treble 14 0 5 5 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 28 46 7 5 100%
Bass 33 30 10 5 100%
Singstimme Voice Treble 14 0 5 5 79%
 
Missa "Au travail suis" Agnus Dei Johannes Ockeghem
pental
4:12 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 10 0 2 5 97%
Tenor Bass 11 0 2 5 94%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 10 0 2 5 97%
Tenor Bass 11 0 2 5 94%
Bassus Bass 10 0 0 5 90%
Superius Treble 10 0 3 6 90%
 
Per signum crucis Francisco Guerrero
pental
2:33 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 7 98%
Soprano Treble 10 0 1 7 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 7 98%
Soprano Treble 10 0 1 7 95%
Tenore Treble 12 0 3 6 88%
Basso Bass 11 0 1 5 84%